The Kite Runner is the first novel by Afghan-American author
Khaled Hosseini. First published in 2003, and fifteen years later with enormous
praise from academic colleagues, and well-read family members; I finally read
it. It is worth the acclaim. The Kite
Runner understands human dynamics and the cowardice often found beneath our
motives with an honesty that stings our sense of justice causing us to reflect
on our first inclination to cast the first stone.
The protagonist,
Amir, carries mixed emotions, because his actions are those of a coward;
however, Amir understands the difference between right and wrong. It is this
understanding and Amir’s inner cowardice that makes him a dynamic, and beautifully
flawed character. Hosseini created an authentic character with a universal
understanding that dives into the selfish hearts of all of us and our need to be
accepted and loved. This universal thread is transparent in every culture whether
you are in white America, Egypt, Greece, Rome, or Afghanistan.
C.S. Lewis makes the
point much more pointedly than I do in Mere
Christianity, “Men have differed as regards what people you ought to be
unselfish to – whether it was only our family, or your fellow countrymen, or
every one. But they have always agreed that you ought not to put yourself
first. Selfishness has never been admired.”
It is selfishness and
the road to redemption that underlines this book, and it is one we all can
relate. Yes, Kite Runner is loaded
with foreshadowing, and predictability, but not in how redemption is achieved,
at least not until the very end after the reader walks for years alongside of
Amir. Oddly, Amir’s salvation and grace remind me of a very different kind of
writer, and an old favorite of mine, Flannery O’Connor who achieves redemption in
grotesque, and often murderous characters with a hint of dark humor. Her method,
although different, is much the same.
Now about that
foreshadowing, much of the criticism relating to The Kite Runner lashes out at foreshadowing. In my reading, I’ve come
across two different kinds of foreshadowing: 1) direct and 2) indirect. Hosseini
takes the direct approach, which for some reviewers may seem irksome. An example
would be, "I thought of the life I had lived until the winter of 1975 came
along and changed everything."
I want to know what
happens in the winter of 1975. Slowly the reader realizes certain people and
events shape this, but eventually the horrific outcome pressed against my soul
making the foreshadowing obsolete, and a deeper search of myself the most
important pressing matter. Further, foreshadowing, direct, is one used by the greats
of literature, Shakespeare’s prologue to Romeo
and Juliet is a flashing neon lights sign defining predictability. Again, it
is the ‘how’ that guides you through the literature.
Homer’s Odyssey is another example, the song of
the muse conveys Odysseus’s treacherous journey. Specifics of Odysseus’s journey
are further foreshadowed by Circe, the witch goddess’s warning to Odysseus and
his men. The prophecy of Tiresias tells of Odysseus’s return home, broken with
no more than his wit to win.
The Great Gatsby, although, twisted with surprise, the
elements of indirect foreshadowing are transparent once the end is revealed. The
point is whether a story is predictable or surprising, it is the journey we should
read for, the one that makes us examine our self at the end forgiving a
character we may not have liked much throughout. The devastation Amir felt at
the end of the story was justified in my mind, and my forgiveness came
willingly because of this.
Journey and plot go
together in this much like a Thomas Cole painting picturesque of light, nature
and inner solitude. The story takes flight with a kite in the winter of 1975 with
the need to be loved and accepted, and it ends years later with the willingness
to love someone else, selfishness sliding away like a faded memory.
A critic once said, “This
is the sort of book White America reads to feel wordly.” Maybe this is true for
some. I cannot speak for all readers, but after reading a book set in Afghanistan
before the communist and Taliban; it doesn’t make me worldlier; however, it
does make me understand the universal need for love and acceptance that often
motivates all of us into selfish action, and the similar journey we all take towards
attornment. I highly recommend Kite
Runner by Khaled Hosseini.
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